“It is a frustrating decision,” said Nissim Tal, the director general of the Haifa Museums in Israel. “We believe that the Max Stern story should not be eliminated.”
The show, “Max Stern — From Düsseldorf to Montreal,” was to travel to Haifa in September and to the McCord Museum in Montreal in 2019. Instead of the exhibition, the city said it plans to hold an international symposium on Mr. Stern next fall.
A second statement by the mayor’s office said “countless works are linked to the art dealer Max Stern” and “every work requires a nuanced individual analysis.” It argued that the exhibition in the Stadtmuseum, which is operated by the city, could not address these complex issues.
In recent days, criticism has only grown. Ronald Lauder, an American businessman and collector who is president of the World Jewish Congress, wrote to Mayor Geisel calling his justification absurd and asking him to reconsider. The reasons are particularly baffling, Mr. Lauder said, given that in neighboring Bonn, an exhibition initiated by the German government is showcasing art hoarded by Cornelius Gurlitt. Some of those pieces are known to have been looted by the Nazis and researchers are still looking into their provenance.
Four years after the discovery of Mr. Gurlitt’s cache seized headlines and caused international outrage, this latest fracas shows the extent to which the issue of Nazi-looted art remains unresolved and maintains the potential to stir debate in Germany.
“Exhibitions aimed at confronting Nazi wrongs are more necessary than ever at the current time,” said Hagen Philipp Wolf, a spokesman for the German culture minister Monika Grütters. “It is therefore beyond regrettable that the planned exhibition about the life and activities of the Jewish art dealer Max Stern and the history of his persecution in Düsseldorf is not now taking place.”
Mr. Stern took over his father’s Düsseldorf art gallery in 1934, a year after the Nazis seized power. He focused mostly on local painters from the 19th century, though he also sold contemporary art and old masters. As a Jew, he was banned from his profession in 1935, and was forced to close his gallery and sell its inventory in 1937. He fled…