Movie review: Suspenseful ‘Aida’s Secrets’ is a heartwarming exploration of a family’s mysterious history

Music Box Films

Aida Zasadsinska in “Aida’s Secrets.”

“AIDA’S SECRETS” — 3 stars — Izak Sagi, Shep Shell, Aida Zasadsinska; not rated; Broadway

“Aida’s Secrets” feels like the best possible hybrid of an advertisement and an episode of “Dr. Phil.” Alon and Shaul Schwarz’s documentary traces the journey of two long-separated brothers who unite to solve the mystery of their past.

The story starts in Israel with Alon’s uncle Izak Sagi. Izak didn’t find out until well into his childhood that he was adopted and even as an adult, he discovered that the people closest to him knew more about his mysterious past than they were telling him. At one point, even Alon has to admit that he’d heard rumors about Izak having a secret blind brother named Shep, who had been separated from him at a young age.

Things pick up steam once Alon and Izak locate Shep in Canada and head out to meet him. They have little to go on aside from a pair of old photographs and the odd anecdote, but the story of the separated brothers slowly starts to form.

It turns out Izak and Shep were together with their mother Aida in a special camp in Germany set up after World War II to accommodate displaced Jews. Following this time in the camp, for some inexplicable reason, Izak was sent to Palestine on his own, while Aida went to Canada.

Shep also went to Canada, but with a man named Grisha, who Izak and Shep assume was their father. But the more the brothers find out, the more secrets and inconsistencies they uncover.

“Aida’s Secrets” is a story of reunions, and there are numerous heartwarming moments that pepper the directors’ effort. Izak is overjoyed to learn he has a brother, and their reunion early in the film is a golden on-camera moment. Grisha passed away in 2008, but we learn that Aida is still alive, which leads to another great reunion when Shep finally meets his long-lost mother.

The brothers drive the film, but the mystery is fixed on Aida, who seems especially vague and evasive when her sons try to make sense of what happened so many years…

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