Mr. Mingus knew him first as Sam Rogers or Steve Rogers, the family surname. Even then, Mr. Mingus said in an interview this week, “He could walk into a room with a typewriter and not leave until he finished a play. No revisions, just typing.”
When Ralph Cook, a waiter at the Village Gate, started the Theater Genesis at St. Mark’s Church-in-the-Bowery in 1964, he gave Mr. Shepard his first break — a pair of experimental one-acts that used disjointed dialogue to “change the audience’s cognition,” Mr. Mingus said.
The Village Voice loved it, and Mr. Shepard was off. In the next six years, he had 18 plays produced — including six that won Obie awards. And then he left the city, only sporadically to return.
“He was blessed with good fortune, always in the right place at the right time,” said Peter Stampfel, who met Mr. Shepard in a pawnshop in the East Village where Mr. Stampfel was retrieving a violin he had pawned to buy amphetamines.
Off Off Broadway in the mid-1960s was wide open. An actor in one theater might be designing costumes in a second, then rushing to see a new play in a third. Audiences typically did not pay, and sometimes did not show up.
“It was an incredibly exciting time,” said Tony Barsha, a playwright and director who worked with Mr. Shepard at Theater Genesis. “Creativity was just flowing all over the place.’’
“We thumbed our noses at Broadway and Off Broadway because they were so slick and commercial, and what we were doing was just off the wall stuff,’’ he added. “Nobody was thinking of art for the ages. Sam was just dashing this stuff off. His early work was just what came out of his head. It had nothing to do with dramatic construction or form or history. I think he was using a lot of drugs at the time, speed mainly. I did the same thing.”
The budget to stage a play at the Judson Poets Theater on Washington Square was $37.50, said Albert Poland, who produced some of Mr. Shepard’s early plays. The budget at Theater Genesis, where Mr. Shepard became a regular, was possibly lower.
“That was the dangerous place,” Mr. Poland said, longingly.
Theater Genesis, said the playwright Murray Mednick, was…