‘Fatal Attraction’ turns 30: Why Glenn Close hated the ending of the film

Thirty years ago today, “Fatal Attraction,” the 1987 psychosexual thriller directed by Adrian Lyne and starring Michael Douglas and Glenn Close, arrived in theaters.

The film followed Dan Gallagher, a guy who has a brief affair with a career woman named Alex Forrest. Alex then becomes obsessed with Dan, and stalks him and his family, with deadly results.

The movie’s original ending had Alex in an effort to frame Dan for her murder, before killing herself. But when test audiences didn’t like it, the studio reshot the ending, in which Dan’s wife, Beth, shot and killed Alex, an ending that Close initially protested.

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Michael Douglas and Glenn Close star in the 1987 film, “Fatal Attraction.”

“I fought it for two weeks. It was going to make a character I loved into a murdering psychopath,” she recently told the New York Times. “My friend William Hurt said, ‘You’ve fought your battle, now be a team player.’ So I shot it. And I learned something. It’s what the Greeks do. There’s order in the family; then some element creates chaos; then order has to be restored. It’s restored in tragedies through bloodshed. My blood was shed for order to be restored. It was cathartic for the audience.”

“Fatal Attraction” sparked much discussion and debate, including an argument that the film demonized working women — “Absurd,” screenwriter James Dearden told the New York Times — and another belief that it struck fear into the hearts of many men tempted to cheat.

In a 1987 interview with “Good Morning America,” Douglas acknowledged that what made the film so scary was that the situation “could happen to anybody.”

“I think that we all sometimes can have a moment of indiscretion,” he said. “In the picture, there happened to be some extenuating circumstances that just were created at this particular moment at that time — ‘I made a mistake.’ And the picture’s about paying for that mistake.”

“Fatal Attraction” was nominated for six Academy Awards, including best actress for Close. It spent eight weeks at No. 1 and grossed more than $320 million worldwide, making it the top movie of 1987 globally. Other psychosexual thrillers followed in its wake, including “Sliver,” “Disclosure,” “Basic Instinct,” “Single White Female” and “Sleeping with the Enemy.”

“I’m proud my character elicited such a visceral response,” Close told the Times. “Now she’s considered one of the greatest villains ever, and that to me is a mistake. I’ve never…

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